The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works) by Andrew Melvin 

Angolan body painting performances: Articulations of diasporic dislocation, postcolonialism and interculturalism in Britain by Chikukuango Antonio Cuxima-Zwa 

The Creative Symbiosis of Composer and Performer by Andrew Melvin 

Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative component by Dominic Lash 

A state of transcendence in dance: An autoethnographic analysis by Hyeon Jeong Go 

Actions towards freedom: Theoretical and practical perspectives on improvisation and composition 

by Andrew Hall 

Introducing neo-surrealism : the social science of performance art by Kalid Puentes 

Ecstatic Space: NEO-KUT and shamanic technologies by Haien Song 

The Computer Music Designer in the context of physical computing and interactive instrument design 

by Ardeshir M. Gourtani 

Joint action aesthetics by Staci Vicary, Matthias Sperling, Jorina von Zimmermann, Daniel C. Richardson, Guido Orgs 

Techno-choreography and the embodiment of Chineseness by Zhi Xu 

The Choreography of Group Affiliation by Jorina von Zimmermann, Staci Vicary, Matthias Sperling, Guido Orgs, Daniel C. Richardson 

Choreography of Sonic Chopsticks and Intervention of Digital Technology with Dancing Bodies20200219 4898 1wege2e by Zhi Xu